Mucha Do’d It – And So Have I

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As many others who came of age during the 1960’s, I first became familiar with the art of Alphonse Mucha, via the logo and poster works he created for JOB cigarette papers. Although originally created in 1898, in my ignorance (which I was not alone in), I had considered this work as symbolic of the Haight-Ashbury ideal “Flower Child”. It was not until the publication of E.L. Doctorow’s novel, “Ragtime”, in 1975, that I learned not only the name of the artist and the year he created that poster, but also who the model was that inspired him and the history of her infamy. Of course, the model I’m referring to, was Evelyn Nesbit, who first came to the public’s attention as the “The Gibson Girl”, then one of the “Floradora’s”, and finally as “The Girl in the Red Velvet Swing”.

Evelyn’s physical beauty was greatly complimented by the skills of photographers such as Rudolf Eickemeyer Jr.Alfred Stieglitz, and Andrew Pitcairn-Knowles, which then lead to her becoming a favorite model (both from life and from her famed photographs) not only for Gibson and Mucha, but also Aubrey Beardsley and others. As sought after as she was, Evelyn was hardly alone, as the so-called “Edwardian Period” boasted and then promoted a number of strikingly beautiful young woman who’s likenesses made it onto not only works of “fine art” but then quickly exploded into the realm of commercialism by being adapted into poster-art that endorsed various consumer products and trading cards. Some of the most well-known of these beauties, in addition to Evelyn Nesbit, included Lily Elsie, Maude Fealy, Gaynor Rolands, Clara Bow, and Bessie Love. While their names may not be as familiar these days, undoubtedly their photographs and the art they inspired are just as well known and appreciated 100 years later as in their heydey.

Feeling in good company then, I have created my own interpretation of these timelessly classic beauties for my own enjoyment and hopefully, for yours. For your reference, you can view some of the original photographs which inspired my work at these sites: Edwardian Ladies at the The Thinking Tank and Vintage Spirit.

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Evelyn Nesbit

“Miss Evelyn Nesbit (Mrs. Harry K. Thaw)”

Lily Elsie

“Miss Lily Elsie”

Maude Fealy

“Miss Maude Fealey”

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Today’s My Birthday – Sew What?

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A lot of folk in western culture seem to dread growing older. Some stop counting their birthdays after age 30, 40 or the like and shun celebrations. Some go as far as to lie about their age, deducting a few years while their physical assets are plausible enough for them to get away it and when their body’s defy the hoped for illusion, some turn to plastic surgery. Personally, I’m just so grateful for each and every day, week, month and year that I’ve been able to survive, I feel like wearing my age pinned to my chest like a badge of honor. For all intents and purposes, for me to be still alive and kicking on this day, which is my fifty-sixth (56) birthday, is a miracle and such a blessing, that I can hardly find adequate words to express it. I can think of no greater gift than to see this morning’s sunrise. Everything else is just gravy.

For those of you who share the burden of living with chronic pain, chronic disease, and/or a terminal diagnosis, you know what I’m talking about. Because even with having to deal with pain and fear and all the various effects and disabilities in our lives, every sunrise begins a new day to hope. Yep. Better days are coming.

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treadle sewing-machine

Sew and Sew Rose Thread

Threads 4

Spools of Thread Golden Thimble

Quilter's Vingiette

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IconDoIt Lautrec

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Coming up with titles for these postings is quite a challenge at times. The title not only should reflect the content of the post in a meaningful manner but should also been intriguing enough to draw in passers-by who may not otherwise realize there’s something here of interest to them. In the case of tonight’s post which includes some clip art I created that was inspired by Toulouse Lautrec, I had an additional consideration to balance my choice of titles upon. And so, I imagine you don’t need further explanation as to why “IconDoIt Lautrec” won out over “Too Loose Leslie”… 😉

I have always loved the feel of Toulouse Lautrec’s artwork. It just so full of life, vibrant and real and totally absent of any judgment upon the people depicted or the activities they’re engaged in. So very different from most other artists of his time – or of any time, for that matter. He was a true observer and reporter in my mind: capturing only what was rather than what he thought it should have been. That puts him on the list for my ultimate dream cocktail party when I depart from this world. Who’s on your list?

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Reclining-Reader

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